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Rachel didn’t analyze the moment or weigh how it might look, because she had learned in trauma wards and evacuation zones that hesitation often caused more damage than action, and so she crossed the floor, her boots steady against the music, the quiet shift in attention following her whether she wanted it to or not.
“Major Rachel Donovan,” she said warmly, extending her hand without hovering.
“Would you like to dance with me?”
His eyes dropped instinctively to the chair, then lifted again, uncertainty etched across his features.
“I don’t think that’s what people expect to see,” he said quietly.
“And I don’t want to cause a scene.”
After a moment that seemed longer than it was, Andrew placed his hand in hers.
Rachel released the brakes with deliberate care, making sure every movement communicated respect rather than control, and guided him toward the dance floor as the orchestra softened its tempo almost unconsciously, the room adjusting itself to what it was witnessing even before fully understanding it.
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